Some important chords you should know, and how they work
The list of chords, their positions and inversions is pretty exhaustive and seemingly endless. Instead of writing a huge chart for you to try and memorize, we’re going to save a little time and space (and avoid possible carpal tunnel) by keeping this list basic, and throwing in a little bit of theory so you understand how these chords are made and how to figure out your own. (There will be a chapter explaining scales and theory in more depth later on)
Hopefully at this point you know a few major and minor chords. Major and Minor chords are both formed with three notes from the corresponding scale. For example, an A major is formed with the 1st, 3rd and 5th notes of the A major scale, listed here:
A B C# D E F# G#
1 2 3 4 5 6 7
T T S T T T S
T=Whole Tone, S=Semitone
While the A minor is formed with the 1st, 3rd and 5th notes of the minor scale:
A B C D E F G#
1 2 3 4 5 6 7
T S T T T T S
All other chords are basically extensions or augmentations based on those three notes.
Confused? Not for long.
A 7th chord is a four note chord, it can be major or minor. The added note is the seventh note of the scale. Staying with our trusty A major chord and scale, add a G to it and we have the A7.
If we add the 6th note of the scale, in this case the F#, we have the A6.
But, if there are only seven notes in a scale, how do they come up with these crazy 9th and 13th chords? Here is the trick. When you count past 7 you get to the root again an octave higher. Staying with our example the 8th note is A, counting up from that the 9th note would be B. Just remember, anything you add from this point will be based on the 7th chord. If we wanted to make an A9 we would have this five note chord:
To make it an A13 chord we add the note F# and have this:
Full names should be A7/13 chord and so on.
Thanks for the comment Triumfator,
Since it understood that those chords contain a 7th, is it still necessary to write out the full name, or are A13 and A7-13 different chords?
There are a lot of “theories” about chords. But I think it is necessary to sign this 7th if it is in chord. Because C9 should contain 1st, 3rd, 5th and 9th without 7th, but C7/9 =1,3,5,7 and 9. Although i saw, that my C9 somebody name C add9. But i think this is not right.
The dialogue above is a good example of what turns me off from music theory. Its too uptight and the different camps bicker back and forth using academia and semantics. Would Robert Johnson or Mississippi John Hurt agree or disagree with these two schools of theory? Or would they simply ask “What the fuck are you talking about, man?”
Haha, I can’t argue with that.
I think those folks knew more than they let on though.
I think they let their fingers do the talking!
The A minor scale does not contain the G#.
It is the same as the C major scale we all know.
Anyway, great lesson! My teacher did not explain to me about picking notes from Major Scale to build major chords or pick notes from the Minor scale for the minor chords.
I think the above is the harmonic minor scale, and yours is naturnal minor scale.
I am not really sure about these things about minor, but seems are different types of minor scale. I just caught a little of this in classroom.